DELLA MAE, “This World Oft Can Be,” Rounder. 12 tracks.

Della Mae, a 4-year-old Boston-based bluegrassish band, took American music to the “stans” — Pakistan, Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan and Uzbekistan — on a recent 43-day tour for the U.S. State Department’s American Music Abroad program.

Now, the band is touring the United States in support of its first Rounder album — “This World Oft Can Be.”

It follows “I Built This Heart,” Della Mae’s self-released 2011 debut.

Fiddler Kimber Ludiker founded the band in 2009 with musicians from different different parts of the country and different backgrounds.

She’s a two-time winner of the National Old Time Fiddlers Contest.

Vocalist Celia Woodsmith comes from a blues/rock background; guitarist Courtney Hartman studied at Berklee College of Music; bassist Shelby Means is a former Nashville musician and mandolin player Jenni Lyn Gardner comes from a strong bluegrass tradition.

Their sound isn’t traditional bluegrass. It aligns more closely with bands like the Avett Brothers, the Punch Brothers and the Lumineers.

Between them, Woodsmith and Hartman wrote nine of the 12 tracks.

The lyrics are poetry set to music and the music is beautiful.

“Letter From Down The Road/And Other Things” is a love story that finds the singer wanting to stay with the man she loves until the end of time.

The title track says music takes her cares away.

“Ain’t No Ash” says loves is a precious thing, but it burns like West Virginia coal — and when it’s cold, no ash will burn.

“Hounds” says the hounds of heaven are chasing her, but it’s not her time to go.

“Heaven’s Gate” is about a ghost drawn to the place where she killed herself.

And “Empire” is about a ghost town.

Beautiful music by a strong band.

Can’t find it in stores? Try http://www.DellaMae.com.

DON RIGSBY, “Doctor’s Orders: A Tribute To Ralph Stanley,” Rebel. 14 tracks.

Don Rigsby is a lifelong fan of Ralph Stanley. Getting to meet his hero backstage at Ashland, Ky’s, Paramount Theatre as a 6-year-old in 1974, influenced Rigsby’s life and the style of music he still performs today.

So, it was only natural that Rigsby would someday do a tribute album to his hero.

The title, “Doctor’s Orders,” is a play on Stanley’s 1976 honorary doctorate of music degree from Lincoln Memorial University in Harrogate, Tenn.

Stanley has used Dr. in front of his name ever since.

Rigsby, who made his mark on bluegrass as a member of J.D. Crowe’s New South, the Bluegrass Cardinals and the Lonesome River Band before fronting his own band, Midnight Call, brought in three of Stanley’s former band members — Larry Sparks, Ricky Skaggs and Charlie Sizemore – who went on to have solo careers of their own to help on the album.

Stanley himself helped select the 14 songs. He sings a duet with Rigsby on “The Daughter of Geronimo,” tenor on “Home In The Mountains” and plays banjo on “Traveling The Highway Home.”

Stanley introduced a capella singing to bluegrass. And Rigsby honors that tradition with an a capella “Sinner Man.”

Thirteen of the songs are songs associated with Stanley. The 14th is a new song — “The Mountain Doctor” — written by Rigsby and Larry Cordle that tells how Stanley’s music will take away your pain.

Songs include “Brand New Tennessee Waltz,” “Wild Geese Cry Again,” “Little Maggie,” “I Only Exist,” “Six More Miles,” “Walking Up This Hill On Decoration Day,” “Medicine Springs,” “Tennessee Truck Driving Man” and “The Water Lily.”

It’s a strong album for Stanley fans and lovers of traditional bluegrass music with some great harmony singing.

Can’t find it in stores? Try Amazon.com or other Internet outlets.

THE BOXCARS, “It’s Just A Road,” Mountain Home. 12 tracks.

The Boxcars, a supergroup that released its first album in 2010, continues to produce great bluegrass.

Adam Steffey and John Bowman once played with Alison Krauss & Union Station.
Ron Stewart, Harold Nixon and Bowman are graduates of J.D. Crowe & The New South.

Keith Garrett and Nixon were members of Blue Moon Rising.

And Steffey and Stewart were in The Dan Tyminski Band.

Their self-titled debut album made several critics’ Ten Best lists that year.

And the latest album, “It’s Just A Road,” will likely make a few lists too.

Band members wrote five of the 12 tracks.

Garrett wrote the title cut, which says that poetry aside, a road is just a road; “Cornelia,” a song about a man with a broken heart who’s determined to make a new start; and “Caryville,” a song about a place where God doesn’t live anymore.

Stewart wrote “Skillet Head Derailed,” a hard-driving instrumental, and “The Devil Held The Gun,” a murder ballad that sounds very old.

The song list includes a couple of A.P. Carter songs — “Coal Miner’s Blues” and “I’m Leaving You This Lonesome Song.”

And there’s a bluegrass version of one of Hank Williams’ lesser-known country songs, “Never Again (Will I Knock On Your Door).”

Other songs include “You Took all The Ramblin’ Out Of Me,” a song about a woman who made him want to settle down; “When Sorrows Encompass Me Around,” an uptempo gospel number; “Southern Train,” a ballad about a man in prison wishing he was on a train headed home; and “Trouble In Mind,” a blues standard that dates back to 1924.

Good album by a great band.

Can’t find it in stores? Try http://www.TheBoxcars.com.

DAILEY & VINCENT, “Brothers of the Highway,” Rounder. 12 tracks.

In 2007, two long-time bluegrass sidemen, Jamie Dailey (of Doyle Lawson & Quicksilver) and Darrin Vincent (of Ricky Skaggs’ Kentucky Thunder) decided to hit the road as a duet.

And the awards quickly began piling up.

The International Bluegrass Music Association named them emerging artists of the year in 2008 as well as entertainers of the year and vocal group of the year.

Dailey was named male vocalist of the year and they also picked up album of the year and gospel recorded performance of the year honors in 2008.

They repeated with the entertainer and vocal group honors in 2009 and 2010, picked up the gospel trophy in 2009 and the album trophy again in 2010.

Their last two albums — “Dailey & Vincent Sing the Statler Brothers” and “The Gospel Side of Dailey & Vincent” — both garnered Grammy nominations.

But they weren’t really traditional bluegrass.

“Brothers of the Highway” returns the duo to their roots.

It kicks off with Dailey’s “Steel Drivin’ Man,” a blazing fiddle and banjo-driven song about the men who lay tracks for railroads.

There are a couple of Bill Monroe numbers — “Close By” and “Tomorrow I’ll Be Gone.”

There are a few grassed-up country songs — the Louvin Brothers’ “When I Stop Dreaming,” the title track, originally recorded by George Strait; Porter Wagoner’s “Howdy Neighbor Howdy” and Kathy Mattea’s “Where’ve You Been.”

Dailey’s “Back To Jackson County” and Pete Goble and Leroy Drumm’s “Back To Hancock County” both deal with nostalgia for youth and home.

“It’ll Be Wonderful Over There” is a gospel quartet number with Jeff Parker and Christian Davis.Vince Gill’s “Hills of Caroline” is a ballad about a man who’s had a hard life and wants to be buried beside the woman he loves.

“Big River,” which features Vincent on lead, is a song about a man so sad he’d have to get better to die.

Another great album by a great act.

Can’t find it in stores? Try http://www.DaileyAndVincent.com

THE WILLIAMSON BROTHERS, “Bluegrass!” Flatt Mountain Records. 13 tracks.

In an era when many bluegrass acts call their music “acoustic” rather than “bluegrass” and no longer hold their instruments in pictures on album covers, Tony and Gary Williamson call their new album simply “Bluegrass!”

And the album cover is a picture of just the instruments — banjo, mandolin, fiddle, guitar and bass.

You can’t be more clear than that.

This is traditional bluegrass music.

Tony and Gary Williamson have been performing together, off and on, since 1957 when they were kids. That means their duets are honed to perfection.

The new album includes three originals — “First Step of the Journey” and “Song For Jimmy Campbell,” a pair of uptempo instrumentals, and “Over In The Sky,” an uptempo gospel song.

There are traditional numbers — “Green Grow The Lilacs,” “John Hardy,” “The Wreck of the Old 97″ and “Lonesome Road Blues.”

There are songs by early bluegrass musicians — Hylo Brown’s “Thunderclouds of Love” and Charlie Monroe’s “Angels Carry Me Home.”

Other songs include “I Miss My Dear Mother and Dad,” “Lamplighting Time in the Valley,” “I Live In The Past” and “Don’t Let Your Sweet Love Die.”

Can’t find it stores? Try http://www.CountySales.com.

MIKE AIKEN, “Captains & Cowboys,” Northwind Records. 12 tracks.

There was a time, not that long ago, when bluegrass fans had no trouble telling a bluegrass album just by its cover.

Most of the band names ended with “boys.” And there was usually a picture of a banjo, a mandolin and a fiddle on the cover.

Those were dead give-aways.

But these days, band names are changing. Some bluegrass bands don’t even have banjos. And a lot of bluegrass is being marketed as Americana/roots music.

That’s how Mike Aiken’s “Captains & Cowboys” is marketed.

But it’s not bluegrass. Not with drums, electric guitars, pedal steel guitars, pianos, organs and accordions.

Still, a lot of the songs would easily fit into bluegrass with different instrumentation.

“Virginia,” a love song to the state, would definitely fit bluegrass repertoires. So would “Coal Train,” a song about the hills of West Virginia being shipped to China.

“Your Memory Wins,” a song about a memory that’s stronger than whiskey, could easily be a bluegrass song as could “Dance With The Wind,” a song about young love that lasts; “Night Rider’s Lament,” a song about the reason cowboys work for little pay; and the title cut about men who love wide open spaces and freedom.

And Aiken, a former ship’s captain and farrier who wrote or co-wrote nine of the 12 tracks on his sixth studio album, would fit into one of the branches of bluegrass.

But this album is more country than anything.

Can’t find it in stores? Try http://www.MikeAikenMusic.com.

MARK NEWTON & STEVE THOMAS, “Reborn,” Pinecastle. 12 tracks.

Mark Newton and Steve Thomas each have three decades of bluegrass experience behind them. But they’re new working as a duet this festival season.

Both grew up in Virginia in musical families and both started playing bluegrass as kids.

Newton has worked in the Virginia Squires, the Tony Rice Unit, The Seldom Scene and in various other duet and solo projects through the years.

Thomas’ resume includes tenures with Jim & Jesse and The Virginia Boys, The Lost and Found, The Whites, The Osborne Brothers, Aaron Tippin, Barbara Mandrell, Brooks and Dunn, LeeAnn Womack, Kenny Chesney, John Michael Montgomery, Ronnie Bowman, and Lorrie Morgan.

The new partnership finds them sharing lead singing duties.

“Old McDonald,” the first single off the new “Reborn” album, is an uptempo song about hard times forcing a farmer to sell his land and livestock.

The album, which arrives in stores on April 30, is a blend of old and new songs.

The old include The Delmore Brothers’ “Blue Railroad Train,” the Louvin Brothers’ “Are You Missing Me,” Bill Monroe’s “Kentucky Waltz,” Dallas Frazier’s “If It Ain’t Love” (a 1972 country hit for Connie Smith), Charlie Poole’s “The Girl I Left In Sunny Tennessee” and “Nobody’s Business,” versions of which began in the 1920s blues tradition.

Newer material includes “The Key,” a gospel song; “Painted Lady,” a song about a man wishing he could be a cowboy; Thomas’ “Far Far Cry,” a blazing song about a man who’s lost his job and been jailed since his woman left; “Pineywood Hills,” a song about a homesick rambling man; and “Country Song,” about a song that will bring her back to him.

Good album by a good new duet.

Can’t find it in stores? Try http://www.PinecastleMusic.com.

MARTY RAYBON & FULL CIRCLE, “The Back Forty,” Rural Rhythm. 10 tracks.

Marty Raybon cut his teeth on bluegrass music starting in 1974 with his family band, American Bluegrass Express.

So, even though he’s only 53, this is Raybon’s 40th year as a performer.

He moved into country music from 1985 to 1996 with the group Shenandoah and racked up 13 singles that topped the country charts.

After Shenandoah parted ways, Raybon returned to bluegrass and gospel music and quickly became a headliner on the bluegrass circuit.

“The Back Forty,” his latest album, features five songs co-written by Raybon. That’s half of the 10 tracks.

The first single, “That Janie Baker,” which Raybon co-wrote, is a hard-charging salute to a woman who could move mountains.

Raybon’s other numbers include “The Big Burnsville Jail,” another hard-charging song about a man headed to jail and already plotting his escape; “A Little More Sawdust On The Floor,” a ballad that says what the world needs is more sawdust on the floor and more people kicking up their heels; “Only You, Only You,” a ballad that says she’s the only one for him; and “Mountain Love,” a song about a man in love with the girl across the holler.

Other songs include “She’s Just An Old Love Turned Memory,” a 1977 country hit for Charley Pride; and “Slowly (I’m Falling),” a 1954 hit for Webb Pierce.

“Look For Me (For I Will Be There Too)” is a gospel ballad; “The Late Night Cry Of The Whippoorwill” is a high-lonesome song about missing someone; and “Hurt Me All The Time” is an uptempo love song.

Can’t find it in stores? Try Amazon.com.

TINA ADAIR BAND, “Born Bad,” Tab Music Group. 12 tracks

In 1996, when the Adair family band, Bluegrass Edition, won the International Pizza Hut Showdown, an international talent search, Tina Adair, the lead singer, seemed well on her way to success.

She had been singing since she was 3 and recording since she was 8. And her vocals, which reminded audiences of Alison Krauss, were winning acclaim from critics and fans alike.

The following year, Sugar Hill Records released, “Just You Wait & See,” by the renamed Tina Adair & the Adairs.Audiences loved it.

But Adair decided to pursue a degree in music business at Belmont University in 2000, while completing her second album, “All You Need.”

Then, she fell off most fans’ radar.

Until now.

Adair is back with The Tina Adair Band, which includes her husband, Tim Dishman, on guitar.

And their first album, “Born Bad,” is in stores now.

It’s dedicated to her brother and former bandmate, Keith Adair, who died in 2010.

The album’s closing song, “Don’t Grieve,” is a ballad about his death.

Tina Adair wrote seven of the 12 songs.

“How I Was Raised” finds her ready to fly to the bright lights of Nashville.

“Stuck Somewhere In The Middle” finds her unable to walk away from a love gone bad even though she knows she should.

“Heart I Had To Break” finds her taking the blame for a failed romance, even if it breaks her heart.

“What Was Never Meant To Be” is an uptempo song about another failed romance.

“Now Forever’s Gone” is about a man who’s cheated on her despite his promise of loving her forever.

“Born Bad” is about a person who has made a lot of mistakes but wants to change.

The album includes a duet with country singer Billy Dean on “Tomorrow & For Always,” a love song with a happy ending.

There are three gospel songs — “Farther Along” (which includes a piano and choir), “Go & Tell Jesus” and “Just A Little Talk With Jesus.”

And there’s an instrumental, “Snaker Dan,” to show off the band’s picking prowess.

“Born Bad” is a strong album. And it’s good to have Adair back.

Can’t find it in stores? Try Amazon.com.

DOYLE LAWSON & QUICKSILVER, “Roads Well Traveled,” Mountain Home. 11 tracks.

Doyle Lawson was inducted into the International Bluegrass Music Association’s Hall of Fame last year.

In country music, that would usually mean an artist’s recording career is over. But in bluegrass, it’s just another milestone along the way.

Lawson and his band, Quicksilver, have just released “Roads Well Traveled,” an album that lives up to his reputation of putting out some of the best bluegrass around.

The album includes a Lawson original instrumental — “By The Waters of the Clinch” — and “It’s Hard to Be Forgotten,” a song about a man who’s been forgotten by a woman he can’t forget, written by Lawson and bandmates Mike Rogers, Corey Hensley and Joe Dean.

There are covers of Lee Greenwood’s 1985 country hit — “Dixie Road” — and Jim & Jesse McReynolds’ “Fiddlin’ Will.”

But mostly these are new or relatively new songs about love found and lost.

There’s “How Do You Say Goodbye to Sixty Years,” about an old man standing by his wife’s grave; “One Small Miracle,” which finds a man praying that the one he loves will love him again; “When Love Is All You Want,” a ballad about a woman who still waits for her husband years after he’s dead; “Say Hello to Heaven,” a song about a man praying for the strength to forgive the drunk driver who killed his wife; and “The King,” a song about a man who has little in life but his wife treats him like a king.

“Dobro Joe,” a song about a man and his Dobro, and “I’m That Country,” a tribute to country living, don’t really fit the theme. But they’re good songs.

After 34 years and lots of personnel changes, Lawson & Quicksilver remains one of the best bands in bluegrass.

Can’t find it in stores? Try CrossroadsMusic.com.